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Formal Aspects of Iannis Xenakis' "Symbolic Music": A Computer-Aided Exploration of Compositional Processes

Identifieur interne : 000073 ( France/Analysis ); précédent : 000072; suivant : 000074

Formal Aspects of Iannis Xenakis' "Symbolic Music": A Computer-Aided Exploration of Compositional Processes

Auteurs : Carlos Agon [France] ; Moreno Andreatta [France] ; Gérard Assayag [France] ; Stephan Schaub [France]

Source :

RBID : Hal:hal-01106085

Descripteurs français

Abstract

We present computer models of two works for solo instrument by Iannis Xenakis: Herma for piano (1962) and Nomos Alpha for cello (1965). Both works were described by the composer (in his book Formalized Music) as examples of “symbolic music”. Xenakis’ detailed description of formal aspects in his compositional process makes it possible to implement computer models that recreate essential elements of the final scores. For our implementations, we use OpenMusic, a visual programming language based on CommonLisp/CLOS developed at Ircam. Based on the experiences gathered from developing and exploring these computer models, we discuss the theoretical concepts used by Xenakis in his creative process. Further, we examine how the algebraic organization of Nomos Alpha can be considered as an abstraction of the set-theoretical one used in Herma. We finally suggest to extend Xenakis’ outside-of-time/in-time dichotomy by means of a third conceptual category: the “logical time”.

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Hal:hal-01106085

Le document en format XML

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<orgName type="acronym">CNRS</orgName>
<date type="start">1939-10-19</date>
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<address>
<country key="FR"></country>
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<ref type="url">http://www.cnrs.fr/</ref>
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</hal:affiliation>
<country>France</country>
</affiliation>
</author>
<author>
<name sortKey="Schaub, Stephan" sort="Schaub, Stephan" uniqKey="Schaub S" first="Stephan" last="Schaub">Stephan Schaub</name>
<affiliation wicri:level="1">
<hal:affiliation type="researchteam" xml:id="struct-410617" status="OLD">
<orgName>Représentations musicales</orgName>
<orgName type="acronym">Repmus</orgName>
<desc>
<address>
<country key="FR"></country>
</address>
<ref type="url">http://www.ircam.fr/repmus.html</ref>
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<tutelle active="#struct-1374" type="direct">
<org type="laboratory" xml:id="struct-1374" status="OLD">
<idno type="RNSR">198319352N</idno>
<orgName>Sciences et Technologies de la Musique et du Son</orgName>
<orgName type="acronym">STMS</orgName>
<desc>
<address>
<addrLine>1 Place Igor Stravinsky 75004 PARIS</addrLine>
<country key="FR"></country>
</address>
<ref type="url">http://www.ircam.fr/</ref>
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<org type="institution" xml:id="struct-93591" status="OLD">
<orgName>Université Pierre et Marie Curie - Paris 6</orgName>
<orgName type="acronym">UPMC</orgName>
<date type="end">2017-12-31</date>
<desc>
<address>
<addrLine>4 place Jussieu - 75005 Paris</addrLine>
<country key="FR"></country>
</address>
<ref type="url">http://www.upmc.fr/</ref>
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<orgName>IRCAM</orgName>
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</address>
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<idno type="ISNI">0000000122597504</idno>
<idno type="IdRef">02636817X</idno>
<orgName>Centre National de la Recherche Scientifique</orgName>
<orgName type="acronym">CNRS</orgName>
<date type="start">1939-10-19</date>
<desc>
<address>
<country key="FR"></country>
</address>
<ref type="url">http://www.cnrs.fr/</ref>
</desc>
</org>
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</tutelles>
</hal:affiliation>
<country>France</country>
</affiliation>
</author>
</analytic>
<series>
<title level="j">Journal of New Music Research</title>
<idno type="ISSN">0929-8215</idno>
<imprint>
<date type="datePub">2004</date>
</imprint>
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<keywords scheme="mix" xml:lang="fr">
<term>Herma</term>
<term>Nomos Alpha</term>
<term>OpenMusic</term>
<term>Xenakis</term>
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</textClass>
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<front>
<div type="abstract" xml:lang="fr">We present computer models of two works for solo instrument by Iannis Xenakis: Herma for piano (1962) and Nomos Alpha for cello (1965). Both works were described by the composer (in his book Formalized Music) as examples of “symbolic music”. Xenakis’ detailed description of formal aspects in his compositional process makes it possible to implement computer models that recreate essential elements of the final scores. For our implementations, we use OpenMusic, a visual programming language based on CommonLisp/CLOS developed at Ircam. Based on the experiences gathered from developing and exploring these computer models, we discuss the theoretical concepts used by Xenakis in his creative process. Further, we examine how the algebraic organization of Nomos Alpha can be considered as an abstraction of the set-theoretical one used in Herma. We finally suggest to extend Xenakis’ outside-of-time/in-time dichotomy by means of a third conceptual category: the “logical time”.</div>
</front>
</TEI>
<affiliations>
<list>
<country>
<li>France</li>
</country>
</list>
<tree>
<country name="France">
<noRegion>
<name sortKey="Agon, Carlos" sort="Agon, Carlos" uniqKey="Agon C" first="Carlos" last="Agon">Carlos Agon</name>
</noRegion>
<name sortKey="Andreatta, Moreno" sort="Andreatta, Moreno" uniqKey="Andreatta M" first="Moreno" last="Andreatta">Moreno Andreatta</name>
<name sortKey="Assayag, Gerard" sort="Assayag, Gerard" uniqKey="Assayag G" first="Gérard" last="Assayag">Gérard Assayag</name>
<name sortKey="Schaub, Stephan" sort="Schaub, Stephan" uniqKey="Schaub S" first="Stephan" last="Schaub">Stephan Schaub</name>
</country>
</tree>
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